Tringa, Jeta, and Atdhe have never left Kosovo. In their twenties, they’ve spent their lives imagining the world through screens, grounded by visa restrictions. When they finally board a plane for the first time, the reality they encounter is far from what they imagined. Yet something shifts. In the space between departure and return, they begin to understand that growing up isn’t about where you go, but who you become along the way.

In November 1969 a small group of Native American students and urban Indians began the occupation of Alcatraz Island in San Francisco Bay. Eventually joined by thousands of Native Americans, they claimed "Indian land" for the first time since the 1880s. This documentary tells the story of that occupation which lasted 19 months, interweaving archival footage and contemporary commentary to examine how this historic event altered US government Indian policy and programs, and how it forever changed the way Native Americans viewed themselves, their culture and their sovereign rights. c2002.

Nam Geum Pil is a man in his 40's and he lives with his father and daughter. Out of the blue, he decides to quit his job. He receives criticism from his family, but he doesn't care. He freeloads from his friend when he wants to drink alcohol. Meanwhile, Nam Geum Pil becomes aware of a male neighbor who looks like an unemployed man, but he actually makes a lot of money as a webcomic writer. Nam Geum Pil then decides to become a comic writer.

Adultery is rough, yet sweet. The thrill grows even stronger with the fear of getting caught…

Have Gun – Will Travel is an American Western television series that aired on CBS from 1957 through 1963. It was rated number three or number four in the Nielsen ratings every year of its first four seasons. It was one of the few television shows to spawn a successful radio version. The radio series debuted November 23, 1958.The television show is presently shown on the Encore-Western channel.Have Gun – Will Travel was created by Sam Rolfe and Herb Meadow and produced by Frank Pierson, Don Ingalls, Robert Sparks, and Julian Claman. There were 225 episodes of the TV series, 24 written by Gene Roddenberry. Other contributors included Bruce Geller, Harry Julian Fink, Don Brinkley and Irving Wallace. Andrew McLaglen directed 101 episodes and 19 were directed by series star Richard Boone.

THIS WILL NEVER WORK is about a Black family coming together to have an intervention for Amanda's drinking problem. They've hired a therapist named Trevor (a white man, not that it matters), written emotional letters, and now they sit and wait for Amanda to arrive. But when she does, Trevor realizes that the family hasn't exactly been honest with him. "I think I should leave," he says. But listening isn't this family's strong suit, and they've already prepared for battle. The intervention turns into a whodunnit of all the family's drama and trauma. As we flash back and forth from contested family memories to the claustrophobic intervention room, we'll piece together the mysteries that haunt this family.

Written in English in spring 1972. First performed at the Forum Theater of the Lincoln Center, New York, in September 1972. First published by Faber and Faber, London, in 1973. First performed in Britain at the Royal Court Theatre, London, on 16 January 1973.

Tinh, a father who tried everything for his only son, Fluke who was suffering from chronic kidney disease from birth. He even gave up his thriving music career as a chef so that he could cook for his children every meal. But he has some secrets that only his wife Tippa and Phakorn, who is a close friend, know.

Maria Luisa is ready to escape immigration limbo, but when her green card interview takes an unexpected turn, she faces the anxiety of losing the life she had planned. 　　源自：https://festival.sundance.org/program/film/638a1bf277dd3da3b38063d3

“TODAY, A FLOCK OF STARLINGS SWOOSHED PAST OVERHEAD. IN MY MIND, I REPEAT THE SOUND OVER AND OVER, WHILE I WATCH THE FOOTAGE.” 　　The filmmaker captures his environment with the camera, fearing he might be losing it more and more. Strict rules about using the entire clip length and its original audio track inform the editing process. The tableaus and their insistence in duration create a pull into an increasingly isolated state of perceiving the outside world in its unspectacular yet strangely unfamiliar intensity.